— 19.45
preludio al cinema / prelude to the cinema
Francesco Leporatti, organo / organ
— 20.00
Veneto Doc
Niente sta scritto
Marco Zuin
Italia, Kenya, 2017, 52′,
v.o. con sottotitoli in italiano / o.v. Italian subtitles
The film enters the life of Piergiorgio Cattani, a scholar and journalist who has always lived with a severe degenerative disease and that of Martina Caironi, the world’s fastest Paralympic athlete with an artificial limb. Is not another story about disability or illness. It deals with healing, which goes beyond the physical body.
— 21.30
concorso / competition
Life is be
Vato Kuntsev
Georgia, 2016, 82’, v.o. con sottotitoli in inglese e italiano / o.v. English and Italian subtitles
There are five main characters in the film and each of them has his own history. They live in Telavi (Eastern Georgia) in neighborhood to each other.
— 20.00
concorso / competition
Before my feet touch the ground
Daphni Leef
Israele, 2017, 78′, v.o. con sottotitoli in inglese e italiano / o.v. English and Italian subtitles
July 2011, the young Israeli video editor Daphni Leef decides to protest against rent prices by pitching a tent in the city center. As director, Daphni looks back on this turbulent period when she was transformed from a naive young woman into a celebrated and controversial national icon.
— 21.30
concorso / competition
Sea of sorrow. Sea of hope
Estephan Wagner, Marianne Hougen-Moraga
Danimarca, 2018, 29′, v.o. con sottotitoli in inglese e italiano / o.v. English and Italian subtitles
Manal lives in Syria with her three children. A run-in with ISIS leading to death threats forces Manal to flee the country. She leaves her children behind, thinking they will be able to reunite, once she has reached Europe.
— 22.00
concorso / competition
Cinema Grattacielo
Marco Bertozzi
Italia, 2017, 98’, v.o. con sottotitoli in inglese / o.v. English subtitles
An autobiographical reflection that wonders about the forms of the contemporary documentary. The humanity and the landscapes of the Rimini’s Skyscraper scrutinized firsthand by one of its inhabitants, in open dialogue with the skyscraper itself and his imaginaries.

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