Winners Sole Luna Treviso 2016

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CITTA’ DI TREVISO AWARD TO THE BEST FEATURE FILM EX AEQUO
SECTION HUMAN RIGHTS

16 YEARS TILL SUMMER, Lou McLoughlan
For the ability and the beauty through which the film manages to surprise showing a human experience. The film has the quality of putting in relation the dimension of the human time with the time of seasons and nature. It gives a different perspective to the human rights notion overcoming lightly the moral barriers and providing a chance for redemption.

LORO DI NAPOLI, Piero Li Donni
This film has the ability to describe an extremely uplifting experience in a complex and contradictory reality as that one of Naples and highlights the great understanding and human ability between experiences, different cultures and ambitions. It translates the spirit of the most popular sport going into very difficult stories of life. The collective challenge wins individual difficulties. It is characterized by a flowing, linear and engaging narrative shows that the possibility of redemption must always be guaranteed; despite everything.

SPECIAL MENTION HUMAN RIGHTS
ACCADEMIA DELLA FOLLIA, Anush Hamzehian
Special mention for the simplicity, the transparent power, complicity through which is represented a fantastic experience of intelligence outside the box.


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CITTA’ DI TREVISO AWARD TO THE BEST FEATURE FILM
SECTION MY JOURNEY
LA MIA CASA E I MIEI COINQUILINI, Marcella Piccinini
The film combines a coherent and fascinating narrative and undoubted stylistic and formal qualities that confer traits of great poetry to a human experience characterized by the qualities of great humanity values and strong personality.

SPECIAL MENTION SECTION MY JOURNEY
HABITAT , Emiliano Dante
The film manages to evoke, in the urban “paradox” generated by the outcomes of an earthquake on the social fabric, the loneliness of dehumanized urban spaces with narrative rhythm changes optimally packed with technical mastery and style. A special mention for the ability to summarize an extreme condition in a situation of a shared and widespread reality.

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CITTA’ DI TREVISO AWARD TO THE BEST FEATURE FILM
SECTION FILMING CINEMA
S IS FOR STANLEY, Alex Infascelli
“S is for Stanley” is able to communicate the incredible strength of honesty and friendship among different social and cultural worlds with simplicity, great technique and expertise of means.
He manages to perfectly master the dynamics of the contrast between the two figures: the expanded size of Kubrick and the composure, which finds its specific space at any rate, of D’Alessandro.


SPECIAL MENTION SECTION FILMING CINEMA
ARABIC MOVIE, Eyal Sagui Bezawie, Sara Tsifroni
“Arabic Movie” manages to represent – through the combination of two media, television and film – the peculiar condition of the mixture of cultures certainly different but not so distant.
It brings back memories of a topic which has been lost.
It is also a great tribute to the power of cinema, as a catalyst for emotions that don’t just remain inside every individual but that may have propulsive repercussions.

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SOUNDRIVEMOTION PRIZE TO THE BEST SOUNDTRACK
TIDES. A HISTORY OF LIVES AND DREAMS LOST AND FOUND (SOME BROKEN), Alessandro Negrini
A well conceived choice of few sparse original elements: the elegance of a delicate piano, occasionally conversing with an eerie waterphone, the discrete brush of a nylon-string guitar, all tastefully interspersed with touches of nostalgia via quotations of period music and voices from the past layered in mature and serene irony.
The whole flows as smoothly as the alternating tides it was designed to underline, providing an exquisitely cohesive aural complement that effortlessly follows the lyrical itinerary of the visual narration.
An ultimately enjoyable proof of creative coherence and depth.

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DAMS JURY- PREMIO PIXARTPRINTING
TO THE BEST FEATURE FILM SECTION FILMING CINEMA
NEMICO DELL’ISLAM? UN INCONTRO CON NOURI BOUZID, Stefano Grossi
Through a circular narrative process consistings of a range of complementary languages, from the frontal interviews to the use of the making of, the pleasant aspect of the empathy established between Nouri Bouzid and his audience, the work of Stefano Grossi allows us to appreciate the modern role of a director and his films which become a weapon, a nonconformist spokesman and which lay bare the weaknesses of those who are involved in making a product that results inconvenient to a hostile society on issues such as rape, women’s empowerment, terrorism, youth rebellion.

SPECIAL MENTION SECTION FILMING CINEMA
S IS FOR STANLEY, Alex Infascelli
Alex Infascelli through a work characterized by an original narrative cut, a fluent formal balance, a clear picture, and strong of an intelligent exploitation of the many details and a lively sound editor, has allowed the discovery of a singular and unknown figure such as Emilio D’Alessandro, humble factotum is the service of a great master of the caliber of Stanley Kubrick; given the peculiarities of the film, which observe the movie phenomenon through the experience of a lay in the shadow of the seventh art, we’ve considered worthwhile to recognize its efficacy.

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SCHOOL JURY
BEST FEATURE FILM SECTION MY JOURNEY
#MYESCAPE, Elke Sasse
The impact with the truth is the great strength of the film: we are carried away into the landscapes, the thoughts, the fear, the humiliation and the hopes of the migrants. This evidence makes it possible to travel with them.
The originality founded on the absence of professional actors, that is the absolute reality provided by the scenes, is one of the most poignant and direct aspects of the film, thanks also to the wise editing.


SPECIAL MENTION SECTION MY JOURNEY
A WALLNUT TREE, Ammar Aziz
The film focuses on the roots with the loved people, which can’t be forgotten, moved or misunderstood with the affections and the even deeper ties
Roots can be only in one place and the distance from it is unbearable. They are transmitted to children within the walls, even if they are imaginary walls, of a refugee camp, of a school.
Painfully poetic. Lacerated humanity that does not renounce to its dignity.

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GIURIA AFRICA
#MYESCAPE, Elke Sasse
We, the members of the Africa Jury, have chosen “My Escape” as best documentary because it tells accurately the journey that we have experienced, showing what really happens step by step.

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RUBINO RUBINI AWARD
SOUTHEAST ASIAN CINEMA – WHEN THE ROOSTER CROWS, Leonardo Cinieri Lombroso
For the work of research, for the artistic sensibility in the encounter with the different characters, for the skilful filmic construction and for the attentive and sophisticated look on the different places and worlds.
The film goes well with the professional approach of the director Rubino Rubini, but also with his eclectic perceptive ability of a man thirsty for knowledge.
Lucia Gotti Venturato and Gabriella D’Agostino

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PREMIO DEL PUBBLICO
ACCADEMIA DELLA FOLLIA, Anush Hamzehian

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